By Antonella Passani, DEN Institute We are ready to start the second MediaFutures programme with new projects, but before doing so, let’s pause for a backside view for considering the results of the first program. MediaFutures supported 12 projects and, as a result of...
By Gefion Thuermer – King’s College London Researchers in MediaFutures at King’s College London have conducted a study on the ways in which citizens are engaged with or affected by the use of data in innovation programmes for public good. Based on an...
The tech regulatory agenda has been busy the last few years and most definitely the past months. Here is a quick recap of the key recent EU initiatives or milestones about media. I. New Proposal for a Regulation on the transparency and targeting of political...
by Ania Catherine and Dejha Ti. Soft Evidence (2021), by Ania Catherine and Dejha Ti, is a slow synthetic cinema series, depicting events that never happened: nine scenes and testimony. Using AI, computer vision, machine learning and deep learning, the artists created...
by the PONTE project team. In the PONTE project, ECZ.Partners and The Cynefin Centre have been collaborating with visual artist Annika Varjonen to combine technology platforms, narrative data and visual art to tackle division and radicalisation in communities. One...
By Domestic Data Streamers. How to talk about violence in the context of an exhibition Several months ago we took on a journey that ended with the opening of an exhibition: “730 hours of violence”. A one month curatorial experiment that aimed to spark interesting...
